"I don't battle anymore! I uplift motherfuckers!" - GZA
Thursday, August 31, 2006,10:19 AM
Let Us Be Moors Pt 2
Keepin' It Halal

Hip-hop's changed, ain't a black thing anymore G

Young kids in Baghdad showing 2 on 3

HollaWest Coast? Nah, West Bank for life

Upside down, holla for my Moros alright

Spit rhymes in Arabic on the same level like Jada

You wouldn't know if you should head bang or belly dance playa

I'm that type of sand nigga type of Johnny Cochran yaw dig

Ya stereotype me, I knock you out like Prince Naseem.

-- 8/19/03 Outlandish, "El Moro"

The hip-hop movement has a powerful oppositional streak that makes it both attractive and troubling to political actors. Hip-hop's ability to jangle the hegemonic discourse was recently seen with Jay-Z's "Leave Iraq Alone" verse and Outkast's anti-war hit "Bombs Over Baghdad," denouncing the first Gulf War, which was yanked off the air by MTV and Clear Channel when bombs began raining on Baghdad in March 2003. [44] Hip-hop artists have strongly opposed the war, without fear of the social opprobrium visited upon the Dixie Chicks and other white pop stars. As hip-hop mogul Russell Simmons put it, "Rappers don't have to worry about anything. No one likes what they have to say anyway, so they're not afraid to speak up." But when hip-hop is infused with Islamic themes and political allusions, the Establishment press has found it particularly unsettling. Hence the outrage over rapper Paris' recently released -- and rapidly selling -- Sonic Jihad, the cover of which features an airplane flying toward the White House, and the alleged purging of Arabic terms and references to Hussein from Tupac Shakur's recently released Better Dayz (though the slain rapper was referring not to the missing Iraqi dictator, but to Hussein Fatal, a member of his Outlawz posse, which also includes Khadafi, Kastro and Komani). [45]

In the fall of 2002, accused sniper John Muhammad, formerly of the Nation of Islam, sent notes to the police that referenced lyrics from rappers who are Five Percenters -- a heterodox black Muslim sect. The subsequent media frenzy triggered a soul-searching conversation within the Islamic hip-hop community that was rendered particularly urgent when Muslim hip-hoppers found themselves linked to the war on terror by Niger Innis, chairman of the conservative Congress of Racial Equality. Shortly after the arrest of John Muhammad, Innis met with Department of Justice officials to express concern over "domestic black Muslims as a national security issue" and launched a campaign to counter Islamic recruitment efforts in the nation's prisons and colleges. [46] Muslim rappers asked themselves:should we be expected to "represent" Islam positively, and avoid the misogynist and materialistic excesses of mainstream hip-hop artists? Or should the aim be to "get paid" and gain wide success even if it means "playing with the haram (illicit)"? Of the US-based Muslim hip-hop crews, Native Deen and Sons of Hagar have been praised for their positive political and religious messages. Native Deen, made up of three African-American rappers who won't perform in venues that allow mixed dancing or serve alcohol, have been profiled in The New Yorker and even received praise from the State Department, but have yet to garner airtime on mainstream radio stations. The Des Moines-based Sons of Hagar, made up of Allahz Sword (Ahmad) and Ramadan Conchus (Abdul), both Arab-Americans, and Keen Intellect (Kareem) and Musa, Irish-American and Korean-American converts to Islam, respectively, have also been praised for socially conscious lyrics. Their poignant single "Insurrection" ("It's the Arab hunting season, and I ain't leavin'/I'm pushin' the conscience button on you people/Where is the reason?"), and their track "Sisterssss" in support of polygamy, [47] are popular in the underground Muslim-Arab hip-hop scene. But Sons of Hagar have also not achieved mainstream exposure.

The Muslim rap crew that is gaining worldwide notoriety for its lyrical dexterity, stylistic appeal and explicitly positive portrayal of Islam is the Denmark-based trio Outlandish. Made up of a Moroccan, a Pakistani and a Honduran, Outlandish has topped the charts with hits including "Guantanamo" (the chorus: "And I got all my Moros here, Guantanamo") and "Aicha," a remake of Cheb Khaled's 1995 hit. The latter track, which saw heavy rotation on MTV Europe and climbed to fourth on the charts in Germany, has been hailed as the most positive depiction of Muslim women in a music video, with shots of pre-prayer ablution and veiled and unveiled Arab, South Asian and African women. Rather than playing with the haram, Outlandish is about "keepin' it halal (licit)."

American hip-hop commentators note that political, cerebral rap may be popular in Europe, but if it cannot be "bling-blinged," or sexed up, it will not sell in the US. A recent dispute between Simmons and a segment of the African-American Sunni community is illustrative. Though not a Muslim, Simmons has frequently declared his respect for Islam, and the Nation of Islam (NOI) in particular. "I grew up on Farrakhan," he said in one interview. "Where I grew up, there were dope fiends and black Muslims. If Muslims came by, you stood up straight." [48] He also tried to broker talks between the NOI and American Jewish organizations, denounced the invasion of Iraq, helped organize Musicians United to Win Without War and is currently planning a Middle East youth peace summit. But when a recent issue of his OneWorld magazine ran a cover with female rapper Li'l Kim wearing a "burka-like garment over her face" and "lingerie from the neck down" -- and in the same issue saying, "F--- Afghanistan" -- Najee Ali, director of the civil rights group Project Islamic Hope, demanded an apology to America's Muslims.As someone active in brokering truces in the hip-hop world, Ali cited his Islamic duty "to the people of hip-hop and humanity," and called on Simmons to apologize for the magazine cover and for the "pornographic female rapper" Foxy Brown, who in her song "Hot Spot," produced by the Simmons-founded Def Jam, says "MCs wanna eat me but it's Ramadan."

The Li'l Kim incident instigated a discussion over other not-so-halal trends in Islamic hip-hop. The cover of XXL magazine showing rapper Nas holding a glass of cognac and wearing prayer beads around his neck outraged many Muslims. "Why he imitatin' the kufar (unbelievers, in Arabic) with the Hail Mary beads?!" fumed one blogger. Many Sunni Muslims have also criticized the style of some female Muslim hip-hoppers of wearing a headscarf (hijab), and then a midriff top and the low-riding jeans popularized by Jennifer Lopez. These sartorially adventurous young Muslim women, known variously as "noochies" (Nubian hoochies), "halal honies" and "bodacious bints"(girls, in Arabic) -- have provoked heated cyber-debates about freedom of expression, female modesty and the future of Islam in America. "Our deen (religion, in Arabic) is not meant to be rocked!" says hip-hop journalist Adisa Banjoko, author of the forthcoming The Light From the East on Islamic influence in hip-hop. "I see these so-called Muslim sistas wearing a hijab and then a bustier, or a hijab with their belly button sticking out. You don't put on a hijab and try to rock it! Or these brothers wearing Allah tattoos, or big medallions with Allah's name -- Allah is not to be bling-blinged!" [49]

Just as controversial are the Arabic calligraphy tattoos that women, even outside the hip-hop community, have taken to wearing. The words halal, haram and sharmuta (whore in Arabic, but a term of endearment in certain circles these days) are tattooed on shoulders, thighs or lower backs, and worn with bathing suit tops or hip-hugging jeans. Some of these haram trends in Islamic hip-hop are deliberate responses to orthodox or fundamentalist Islamic dress, like the "high-water pants" or "total hijabs" seen in some inner city areas.Among young Muslim males, equally provocative are black T-shirts worn by some Shiite youth, which read in crimson, "Every Day Is Ashura, Every Day Is Karbala" -- references to Shiite rituals commemorating the death of Imam Hussein in the seventh century and the Iraqi plain where he died in battle. Also troubling to some is the growing popularity of martial arts among urban Muslim youth, who say self-defense skills are necessary against gangsters and violent police. If many black Muslims in the 1960s were practicing syncretic forms of martial arts like "Kushite boxing," many of today's young male hip-hoppers are learning "Islamic wrestling." "The Prophet was a grappler," one enthusiast told Middle East Report. "The hadith (saying of the Prophet) teaches us to never hit the face of our opponent and that [Islamic] grappling allows you to win over an opponent without punching them and risking brain damage."

Russell Simmons has said that "the coolest stuff about American culture, be it language, dress or attitude, comes from the underclass -- always has and always will." [50] If so, then as Islam seeps into the American underclass and as Muslims populate the underclass in Europe, Islamic cultural elements will percolate upward into mainstream culture and society. For many American youth, Islamic hip-hop is their first encounter with Islam, and often leads them to struggle with issues of race, identity and Western imperialism. In Europe, many North African youth are rediscovering Islam and becoming race-conscious through Five Percenter and NOI rap lyrics. For many white hip-hoppers in the US, the sought-after "ghetto pass" -- acceptance in the hip-hop community -- comes only with conversion to Islam, which is seen as a rejection of being white. The white rapper Everlast, formerly Eric Schrody of House of Pain, claims that conversion to Islam and mosque attendance allow him to visit ghetto neighborhoods he could never enter as a non-Muslim white. [51] Curiously, Everlast's espousal of Islam caused static with the white rapper Eminem who accused him of becoming Muslim to deny that he is a "homosexual white rappin' Irish." One young white Latino youth explained the link between Islam and his street credibility as follows: "In the Bronx, looking like me, you don't get much respect. When I took the shihada (professed Islam), the brothers gave me respect, the white folk got nervous, even the police paid attention." [52]

Efforts are being made to direct the energy of Islamic hip-hop. In late July 2003, the First Annual Islamic Family Reunion and Muslims in Hip-Hop Conference and Concert was held in Orlando, Florida, with prominent imams from across the country leading three days of workshops on Muslim youth and stressing the importance of deen, family, schooling and organizing. Activities included Islamic spelling bees, Islamic knowledge competitions and performances by "positive lyricists" like Native Deen. The conference also established Hallal Entertainment, Inc. and helped launch the Islamic Crisis Emergency Response System, a Philadelphia-based organization which provides services to needy Muslim and non-Muslim families. [53] Fusing Islamic themes with the preeminent global youth culture, Islamic hip-hop has emerged as a powerful internationalist subculture for disaffected youth around the world.

"Roaring from the East"

"The specter of a storm is haunting the Western world," wrote the black power poet Askia Muhammad Touré in 1965. "The Great Storm, the coming Black Revolution, is rolling like a tornado; roaring from the East; shaking the moorings of the earth as it passes through countries ruled by oppressive regimes.... Yes, all over this sullen planet, the multi-colored 'hordes' of undernourished millions are on the move like never before in human history." [54] Touréé was pondering the appeal of "the East" to African-American youth in the aftermath of the 1955 Bandung conference. There President Sukarno of Indonesia had told the representatives of 29 African and Asian nations that they were united "by a common detestation of colonialism in whatever form it appears. We are united by a common detestation of racialism."Those were the days when Malcolm X met with Fidel Castro at the famed Teresa Hotel in Harlem, and when Malcolm, from his perspective of "Islamic internationalism," came to understand the civil rights movement as an instance of the struggle against imperialism, seeing the Vietnam war and the Mau Mau rebellion in Kenya as uprisings of the "darker races" and, like the African-American struggle, part of the "tidal wave" against Western imperialism.

Some commentators, pointing to the current anti-war and anti-globalization movement, have suggested that a new era of Afro-Asian-Latin solidarity may be in the offing. In the US, the past two years has seen a political ferment and coalition-building between progressive groups -- in particular between Arab and Muslim American groups and African-American groups -- not seen since the 1960s when the Black Panthers and the Student Non-violent Coordinating Committee declared solidarity with the PLO, which in turn declared solidarity with Native Americans. September 11 and the subsequent backlash has led many African-American leaders to stand with Muslim and Arab-Americans, not least because African-American Muslims are also targeted in the post-September 11 profiling and detention campaigns. Activists like Al Sharpton are mobilizing against the USA PATRIOT Act "because it is used to profile people of color" and "impacting Muslims everywhere, including Brooklyn and Harlem." [55]

Given the centrality of Islam and the Arab world to the war on terror, and the presence of kaffiyyas and (regrettably) Bin Laden T-shirts at protests from Porto Alegre to Barcelona, it appears that the new Bandung may have a distinct Arab or Islamic cast. In the past two years, a number of Latin American leaders have called for "concrete action" to establish a Palestinian state. Castro has signed agreements of bilateral cooperation with Algeria and the United Arab Emirates, and continues to rail against "global apartheid" in general and "Israeli apartheid" in particular. Castro has also been accused of building ties with Iran and selling biotechnology in exchange for cheap oil. When he visited Iran in 2001, Castro spoke of his rapport with President Mohammad Khatami and reported that he "had the longest sleep of his life in Tehran." Most recently, he has been accused by the US of jamming the satellite broadcasts of US-based Iranian opposition groups. [56] Recent articles in right-leaningAmerican newsmagazines claim to have discovered evidence that Venezuela is providing identity papers to suspicious numbers of people from Arab and South Asian "countries of interest" (as well as Colombians and Cubans). One article also features the claim of the former Venezuelan ambassador to Libya, Julio Cesar Pineda, to possess correspondence from Hugo Chavez stating his desire to "solidify" ties between Latin America and the Middle East -- including use of the oil weapon. [57] Chavez challenged the reporters in question to produce "one single shred of evidence" for their claims. [58]

These stories of Cuban and Venezuelan ties to Middle Eastern radicals may be little more than partisan puffery, and Chavez's repeated calls for solidarity with the Arab world may be nothing more than petroleum diplomacy or an embattled leader's desperate plea for allies. Yet the Venezuelan leader's appeal to "Arab roots" is indicative of a trend in the West. Among Western subordinate groups and opposition movements that feel victimized or neglected by globalization, the Arabs are seen as bearing the brunt of the worldwide imperial assault in the era of the war on terror. As Western nationalists portray Islam as a threat to freedom and security, and launch wars to bring democracy to the Muslim world, "the multi-colored hordes" of the West are reaching for teachings and precedents (like Moorish Spain) in Islam that they hope will make the West more compassionate and free.

Islam is leaking into the West through conversion, migration and media-driven cultural flows, and to many, the Islamic world is presenting a repertoire of alternative identities. As marginalized Westerners are finding inspiration in Islam, Muslims in the diaspora are inspired by the African-American experience. The cross-fertilization taking place between Islamic, black and Latin cultures is creating fascinating trends and art forms. Many would argue that the fashion for Arabic tattoos, Allah chains, Orientalist soap operas, belly dancing and hip scarves is just that -- fashion. But as the Arab pride movement in Europe and Islamic hip-hop demonstrate, the vibrant cultural intermingling can have significant political implications. Cultural flows can spark forceful challenges to state policies, state-imposed identities and the claims of Western nationalism.

For many of the minority convert communities and the diaspora Muslim communities, Islamic Spain has emerged as an anchor for their identity. Moorish Spain was a place where Islam was in and of the West, and inhabited a Golden Age before the rise of the genocidal, imperial West, a historical moment that disenchanted Westerners can share with Muslims. Neither Muslim nostalgia for nor Western Orientalist romanticism about Andalusia is new, but it is new for different subordinate groups in the West to be yearning for "return" to Moorish Spain's multiracialism. In this worldview, the year 1492 is a historical turning point. On Columbus Day in October, Chavez urged Latin Americans to boycott celebrations of the "discovery," saying that Columbus was "worse than Hitler." That the longing for pre-1492 history is shared by many minorities throughout the West is an indication of their lasting exclusion, and how the stridency of Western nationalism since September 11 has revived memories of centuries-old trauma. As one African-American activist put it recently, "The profiling and brutalizing of African-Americans didn't begin after September 11. It began in 1492." [59] In a similar spirit, after Moussaoui was arrested in the US and granted the right to represent himself in court, one of his first demands was "the return of Spain to the Moors."

With African-American and Latino converts speaking of the tragedy of 1492, and with Muslim minorities in the West becoming increasingly race-conscious and inspired by black America, the world is witnessing a new fusion between Islam and pan-Africanism. Today, however, this racialized Islamic internationalism contains elements of other cultures and diasporas as well. Islam is at the heart of an emerging global anti-hegemonic culture, which post-colonial critic Robert Young would say incarnates a "tricontinental counter-modernity" that combines diasporic and local cultural elements, and blends Arab, Islamic, black and Hispanic factors to generate "a revolutionary black, Asian and Hispanic globalization, with its own dynamic counter-modernity...constructed in order to fight global imperialism." [60]


[1] José Martí, "Espana en Melilla," in Cuba: Letras, vol. 2 (Havana: Edicion Trópico, 1938), p. 201.

[2] Quoted in René Dépestre, "Carta de Cuba sobre el imperialismo de la mala fé," Por la revolución, por la poesia (Havana: Instituto del Libro, 1969), p. 93

[3] El País, April 17, 2002.

[4] Latin American Weekly Report, October 4, 2003.

[5] CUT National Plenary, Conjuntura Internacional e Nacional, Resolution 10, "Cresce a polaizaçáo politica a social em todo o mundo." Accessible online at http://cutnac-web.cut.org.br/10plencut/conjtex5.htm.

[6] Deutsche Presse-Agentur, April 3, 2003.

[7] New York Times, October 22, 2001; The Economist, October 26, 2001. Imams and converts also made this claim in interviews carried out by Columbia University's Muslim Communities in New York Project on June 4 and June 16, 2003.

[8] Times (London), January 7, 2002.

[9] Evening Standard, March 15, 2002.

[10] Christian Science Monitor, October 2, 2002. See also Yusuf Fernandez, "Spain Returning to Islam," Islamic Horizons (July-August 2002).

[11] Olivier Roy, "Euro-Islam: The Jihad Within?" The National Interest (Spring 2003).

[12] Cox News Service, August 11, 2002; see also Knight-Ridder News Service, June 28, 2003.

[13] El Diario-La Prensa, October 6, 2001. See also Islamic Horizons (July-August 2002).

[14] Interview with Rahim Ocasio, April 16, 1999.

[15] Rahim Ocasio, "Latinos, The Invisible: Islam's Forgotten Multitude," The Message (August 1997).

[16] Kimi Eisele, "The Multicultural Power of Soap Operas," Pacific News Service, November 25, 2002.

[17] Interview with Rosa Margarita ofEl Diario-La Prensa, August 8, 2003. El Clon-inspired fashion can be viewed online at http://www.laoriginal.com/especiales.htm.

[18] Independent, July 19, 2002.

[19] Agence­France Presse, May 28, 2003.

[20] Eisele, op cit.

[21] Interview with Fernando Casado Caneque, September 8, 2003. Casado was referring to the conservative Aznar's effort to insert a reference to Europe's Christian roots in the EU's constitution, a measure that has provoked the Spanish left and the regions of Andalusia and Cataluna who resent how the Aznar government has made Catholicism so central to the state's identity. See El País, July 28, 2003.

[22] James Baldwin, No Name in the Street (New York: Dial Press 1972), p. 41.

[23] See, for instance, the interview with Ferida Belghoul in Alec Hargreaves, Voices from the North African Community in France: Immigration and Identity in Beur Fiction (Providence, RI: Berg Publishers, 1991), p. 126.

[24] Le Monde, February 12, 2003.

[25] Jerusalem Report, May 6, 2002.

[26] See Loïc Wacquant, "Red Belt, Black Belt: Racial Division, Class Inequality and the State in the French Urban Periphery and the American Ghetto," in Enzo Mingione, ed. Urban Poverty and the Underclass (London: Blackwell Publishers, 1996).

[27] New York Times, October 16, 2001.

[28] Weekly Standard, July 15, 2002.

[29] Times (London), September 29, 2001.

[30] Abd al-Samad Moussaoui, Zacarias, My Brother: The Making of a Terrorist (New York: Seven Stories Press, 2003), p. 129.

[31] Independent, April 3, 2003.

[32] See Paul Silverstein, "Why Are We Waiting to Start the Fire? French Gangsta Rap and the Critique of State Capitalism," in Alain-Philippe Durand, ed. Black, Blanc, Beur: Rap Music and Hip-Hop Culture in the Francophone World (Lanham, MD: Scarecrow Press, 2002).

[33] Le Figaro, June 17, 2003; Le Monde, March 11, 2003.

[34] Le Monde, September 27, 2001.

[35] L'Expansion, June 11, 2003.

[36] Independent Race and Refugee News Network, April 1, 2001.

[37] The group's manifesto is online at http://infosuds.free.fr/082001/enquete_bc.htm. I am grateful to Paul Silverstein for this point.

[38] Interview with 3eme Oeil and DJ Rebel, Bronx, New York, July 24, 2003.

[39] Jerusalem Report, May 6, 2002.

[40] L'Express, March 27, 2003.

[41] David Lepoutre, Coeur de banlieue: Codes, rites et languages (Paris : O. Jacob, 1997).

[42] Le Figaro, June 3, 2000.

[43] The Spanish slur Moro has long been a term of endearment in Morocco and in the Moroccan diaspora -- the Arabic adaptation is moro khal al-ras (black-headed Moor).

[44] I am grateful to Zaheer Ali for this point.

[45] Tupac Shakur's former companion Napoleon, a Muslim convert, speaks about this allegation in an interview with the Tupac fan site HitEmUp.com, published on April 16, 2003. Accessible online at http://www.hitemup.com/interviews/napoleon-part1.html#Bush.

[46] Washington Times, November 13, 2002.

[47] When told that polygamy is illegal in the US, Allahz Sword responded, "A lot of rappers out there talk about pimpin' -- is that good?...I'm just talking about part of my religion." Seattle Post-Intelligencer, February 17, 2003.

[48] Hisham Aidi, "'Building A New America': A Conversation with Russell Simmons," Africana.com, February 5, 2002.

[49] Personal communication, August 4, 2003.

[50] Quoted in John McWhorter, "How Hip-Hop Holds Blacks Back," City Journal (Summer 2003).

[51] Interview with Adisa Banjoko, "Everlast: Taking Islam One Day at a Time," July 12, 1999. The interview is accessible online at http://thetruereligion.org/everlast.htm.

[52] Interview with Columbia's Muslim Communities of New York Project, June 16, 2003.

[53] Sister Kalima A-Quddus, "Verily This Is a Single Ummah," MuslimsInHipHop Newsletter, August 7, 2003.

[54] Quoted in Robin Kelley, Freedom Dreams: The Black Radical Imagination (Boston: Beacon Press, 2002), p. 60.

[55] Village Voice, December 24, 2002.

[56] Financial Times, July 21, 2003.

[57] See Martin Arostegui, "From Venezuela, a Counterplot," Insight on the News, March 4, 2003 and "Terror Close to Home," US News and World Report, October 6, 2003.

[58] Agence France Presse, October 2, 2003.

[59] Interview with Columbia's Muslim Communities of New York Project, July 21, 2003.

[60] Robert Young, Postcolonialism: An Historical Introduction (London: Blackwell Publishers, 2001), p. 2.

Hisham Aidi is a research fellow at Columbia University's Middle East Institute, and works on the university's Muslim Communities in New York Project, sponsored by the Ford Foundation
posted by R J Noriega
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Monday, August 28, 2006,3:52 PM
Let Us Be Moors Pt 1
by Hisham Aidi

"Seamos moros!" wrote the Cuban poet and nationalist José Martíí in 1893, in support of the Berber uprising against Spanish rule in northern Morocco. "Let us be Moors...the revolt in the Rif...is not an isolated incident, but an outbreak of the change and realignment that have entered the world. Let us be Moors...we [Cubans] who will probably die by the hand of Spain." [1] Writing at a time when the scramble for Africa and Asia was at full throttle, Martí was accenting connections between those great power forays and Spanish depredations in Cuba, even as the rebellion of 1895 germinated on his island.

Throughout the past century, particularly during the Cold War, Latin American leaders from Cuba's Fidel Castro to Argentina's Juan Peron would express support for Arab political causes, and call for Arab-Latin solidarity in the face of imperial domination, often highlighting cultural links to the Arab world through Moorish Spain. Castro, in particular, made a philo-Arab pan-Africanism central to his regime's ideology and policy initiatives. In his famous 1959 speech on race, the jefe maximo underlined Cuba's African and Moorish origins. "We all have lighter or darker skin. Lighter skin implies descent from Spaniards who themselves were colonized by the Moors that came from Africa. Those who are more or less dark-skinned came directly from Africa. Moreover, nobody can consider himself as being of pure, much less superior, race." [2]

With the launching of the "war on terror," and particularly with the invasion of Iraq, political leaders and activists in Latin America have been warning of a new imperial age and again declaring solidarity with the Arab world. Some refer rather quixotically to a Moorish past. Linking the war on Iraq to Plan Colombia and to the Bush administration's alleged support for a coup against him, the erratic Venezuelan strongman Hugo Chavez has repeatedly urged his countrymen to "return to their Arab roots," and attempted to mobilize the country's mestizo and black majority against white supremacy. "They call me the monkey or black," Chavez says of his domestic and international opponents. "They can't stand that someone like me was elected." [3]

In less contentious terms, Brazil's left-leaning President Lula da Silva will visit the Middle East in early December 2003 to seek "more objective" relations with the Arab world, to call for an "independent, democratic Palestinian state" and to launch a common market with the Arab world as an alternative to the North American market (particularly with many in Arab countries boycotting American products). [4] Brazil's largest trade union federation strongly denounced post-September 11 US intervention in Colombia, Venezuela and the Middle East, praising the protest movements that have appeared against US and Israeli "militarism" and calling on Brazilian workers to join in the struggle "against Sharon's Nazi-Zionist aggression against the Palestinian people" and in support of the intifada. [5]

The Other September 11 Effect

In the age of the "war on terror," such expressions from the Western world of affinity with the Arab world are not confined to statements of political solidarity. In Latin America, Europe and the US, for example, there has been a sharp increase in conversion to Islam. At the first world congress of Spanish-speaking Muslims held in Seville in April 2003, the scholar Mansur Escudero, citing "globalization," said that there were 10 to 12 million Spanish speakers among the world's 1.2 billion Muslims. [6] In the US, researchers note that usually 25,000 people a year become Muslim, but by several accounts that number has quadrupled since September 11. [7] In Europe, an Islamic center in Holland reported a tenfold increase and the New Muslims Project in England reported a "steady stream" of new converts. [8] Several analysts have noted that in the United Kingdom, many converts are coming from middle-class and professional backgrounds, not simply through the prison system or ghetto mosques, as is commonly believed. [9] The Muslim population in Spain is also growing, due to conversion, as well as immigration and intermarriage. [10]

Different explanations have been advanced to account for this intriguing phenomenon, known as "the other September 11 effect" -- the primary effects being anti-Muslim and anti-immigrant backlash and infringements upon civil liberties. Commenting on how the accused "dirty bomber" José Padilla and the shoe bomber Richard Reid converted to Islam, French scholar Olivier Roy observes, "Twenty years ago such individuals would have joined radical leftist movements, which have now disappeared or become 'bourgeois'.... Now only two Western movements of radical protest claim to be 'internationalist': the anti-globalization movement and radical Islamists. To convert to Islam today is a way for a European rebel to find a cause; it has little to do with theology." [11] This portrayal of Islam as an outlet for the West's political malcontents ignores the powerful allure of certain aspects of Islamic theology, and begs the question of why for at least a century, even when communism was still in vogue, minorities in the West have seen Islam as a particularly attractive alternative. Roy's formulation also neglects the critical elements of racism and racialization. At least since Malcolm X, internationalist Islam has been seen as a response to Western racism and imperialism.

Though Westerners of different social and ethnic backgrounds are gravitating toward Islam, it is mostly the ethnically marginalized of the West -- historically, mostly black, but nowadays also Latino, native American, Arab and South Asian minorities -- who, often attracted by the purported universalism and colorblindness of Islamic history and theology, are asserting membership in a transnational umma and thereby challenging or "exiting" the white West. Even for white converts, like John Walker Lindh, becoming Muslim involves a process of racialization -- renouncing their whiteness -- because while the West stands for racism and white supremacy on a global scale, Islam is seen to represent tolerance and anti-imperialism. This process of racialization is also occurring in diasporan Muslim communities in the West, which are growing increasingly race-conscious and "black" as anti-Muslim racism increases. To cope, Muslims in the diaspora are absorbing lessons from the African-American freedom movement, including from strains of African-American Islam.

Over the past two years, Islam has provided an anti-imperial idiom and imaginary community of belonging for many subordinate groups in the West, as Islamic culture and art stream into the West through minority and diaspora communities, and often in fusion with African-American art forms, slowly seep into the cultural mainstream. Subsequently, many of the cultural and protest movements -- anti-globalization, anti-imperialist, anti-racist -- in the West today have Islamic and/or African-American undercurrents. At a time of military conflict and extreme ideological polarization between the West and the Muslim world, Islamic culture is permeating political and cultural currents, remaking identities and creating cultural linkages between Westerners and the Muslim world.

Latino Back Channels

Recent journalistic accounts have noted the growing rate of conversion to Islam in the southern Mexican state of Chiapas, and the often violent clashes between Christian and Spanish Muslim missionaries proselytizing among the indigenous Mayan community. The Muslim campaign in Chiapas is led by a Spaniard from Granada, Aureliano Perez, member of an international Sufi order called al-Murabitun, though he is contending with a rival missionary, Omar Weston. Particularly interesting about the several hundred Mayan Muslims is the view of some of the converts that, though some of the missionaries are Spanish like the conquistadors, their embrace of Islam is a historic remedy for the Spanish conquest and the consequent oppression. "Five hundred years ago, they came to destroy us," said Anastasio Gomez Gomez, 21, who now goes by Ibrahim. "Five hundred years later, other Spaniards came to return a knowledge that was taken away from us." [12]

The view of 1492 as a tragic date signaling the end of a glorious era, and the related idea that conversion to Islam entails a reclaiming of that past, is common among the Latino Muslim community in the US. That community, estimated in 2000 at 30,000 to 40,000 members, has grown in the past two years, with Latino Muslim centers and da'wa (proselytizing) organizations in New York, Los Angeles, Miami, Fresno and Houston. [13] The banner hanging at the Alianza Islamica center in the South Bronx celebrates the African and Islamic roots of Latin America: against a red, white and blue backdrop stands a sword-wielding Moor, flanked by a Taino Indian and a black African. The Spanish conquistador is conspicuously absent. Imam (Omar Abduraheem) Ocasio of the Alianza Islamica speaks passionately about the continuity between Moorish Spain and Latin America: "Most of the people who came to Latin America and the Spanish Caribbean were from southern Spain, Andalusia -- they were Moriscos, Moors forcefully converted to Christianity. The leaders, army generals, curas [priests] were white men from northern Spain...sangre azul, as they were called. The southerners, who did the menial jobs, ...servants, artisans, foot soldiers, ...were of mixed Arab and African descent. They were stripped of their religion, culture, brought to the so-called New World where they were enslaved with African slaves.... But the Moriscos never lost their culture...we are the cultural descendants of the Moors." [14] The Puerto Rican imam writes, "Islamically inspired values were conveyed ever so subtly in the Trojan horse of Spanish heritage throughout the centuries and, after 500 years, Latinos were now ready to return." [15]

In the past two years, Islam and the Arab-Muslim world seem to have entered even more poignantly into the Latin American imagination, gaining a presence in political discourse and strongly influencing Hispanic popular culture. This Arab cultural invasion of Latin America, which has reverberated in mainstream American culture, is often attributed to the Brazilian telenovela El Clon and Lebanese-Colombian pop icon Shakira.

El Clon, the highest-rated soap opera ever shown on Telemundo, a US Spanish-language channel, reportedly reaches 2.8 million Hispanic households in the US, as well as 85 million people in Brazil and tens of millions across Latin America. The series, which began broadcasting shortly after September 11, tells the story of Jade, a young Brazilian Muslim who returns to her mother's homeland of Morocco after her mother's death in Brazil. There she falls in love and settles down with Lucas, a Christian Brazilian, and adapts to life in an extended family setting in the old city of Fez. Filmed in Rio de Janeiro and Fez, the telenovela offers a profusion of Orientalist imagery -- from veiled belly dancers swaying seductively behind ornate latticework to dazzling shots of Marrakesh and Fez spliced with footage of scantily clad women on Rio's beaches -- and of course, incessant supplications of "Ay, por favor, Allah!" from Jade's neighbors in the medina.The Moroccan ambassador to Brazil, in a letter to a Sao Paolo newspaper, criticized the series for its egregious "cultural errors," "gross falsification" and "mediocre images" promoting stereotypes of Muslim women as submissive and men as polygamists leading lives of "luxury and indolence."

Despite the kitsch, El Clon has triggered what Latin Trade called "Mideast fever" across Latin America. Belly dancing and "Middle Eastern-style jewelry" became "the rage in Rio and Sao Paolo," Brazilians began throwing "A Thousand and One Nights" parties, "Talk to a Sheikh" chat rooms cropped up online and two new agencies opened up to offer package tours to North Africa.(In his letter, the Moroccan ambassador acknowledged that Brazilian tourism to Morocco had increased by 300 percent thanks to El Clon.) A journalist visiting Quito, Ecuador, found viewers of the series "wide-eyed and drop-jawed for all things Arab." [16] Even in the US, where El Clon's broadcast was almost blocked due to alleged potential controversy, it has exerted cultural influence upon the Latino community and others. In New York, observers note the El Clon-triggered fashion for Arab jewelry and hip scarves, the overflowing belly dancing classes and a recently opened beauty parlor called El Clon in Queens. [17]

Through the Latino back channel, the impact of Shakira in bringing Arab culture to the MTV audience has also been considerable. The Lebanese-Colombian singer was bombarded with questions by the media about her views "as an Arab" on the September 11 attacks, and advised to drop the belly dancing and the Arabic riffs from her music because it could hurt her album sales, but she refused. "I would have to rip out my heart or my insides in order to be able to please them," said the songstress, and expressed horror at hate crimes against "everything that's Arab, or seems Arab." [18] During the run-up to the Iraq war, Shakira's performances took on an explicitly political tone, with her dancers wearing masks of Tony Blair, George W. Bush and Fidel Castro. Backdrop screens flashed images of Bush and Saddam Hussein as two puppets playing a sinister game of chess, with the Grim Reaper as the puppeteer. She also undertook a highly publicized tour of the Middle East (though her concerts in Casablanca, Tunis and Beirut were postponed), during which she visited her father's ancestral village in the Bekaa Valley. Viewers across the region were delighted when Shakira appeared on Egyptian television singing the tunes of Fairuz. In Europe, the US, South America and even the Middle East, the belly-dancing star has fostered a reported mania for hip scarves with coins and tassels. In a random check of Cairo nightclubs, Egyptian government officials confiscated 26 Shakira outfits, "weighing no more than 150 grams [5 ounces]," and deemed "scandalous," [19] but local filmmakers are currently negotiating with government officials over rights to a film project called Shakira fi al-Munira, about a young Egyptian girl infatuated with the Colombian chanteuse.

While the craze for Arab culture has occurred in the wake of September 11 and the ensuing war on terrorism, it is not necessarily political. Commenting on the popularity of shawarma and hookahs in Quito, one journalist observes that "the new fascination with Arabia comes at a time when there are new reasons for anti-American sentiment" -- the recent policy of currency dollarization -- but adds reassuringly that, "El Clon's following surely won't produce a new sect of Islamic fundamentalist terrorists in Latin America." [20] It is also not clear that conversion to Islam necessarily constitutes political or cultural resistance. Referring to the vogue for Islam and Arabic among Spanish youth, one Catalan journalist wryly observes: "It will take more than teenagers converting to an Islam lite to stop [Spanish Prime Minister José Maria] Aznar's Christian nationalism and Castilian imperialism. We need a civil dialogue about our relations with the Orient." [21] Belly dancing and learning elementary Arabic may not be acts of resistance, but such activities create important, albeit imaginary cultural linkages which can be activated for political purposes. As Miles Copeland, head of the Mondo Melodia label, who will release a film on the American belly dancing craze in January 2004, told PR Newswire: "Belly dancing is about art, not politics -- but in experiencing the art, you also experience the culture, and that becomes political in and of itself." Interest in Arab culture and conversions are bringing Islam into the imagination of Western youth, feeding powerful movements and cultures of protest.

From Harlem to the Casbah

In No Name in the Street, James Baldwin reflects on the "uneasy" reaction he would get when, while in France in 1948, he would "claim kinship" with the Algerians living there. "The fact that I had never seen the Algerian casbah was of no more relevance...than the fact that the Algerians had never seen Harlem. The Algerian and I were both, alike, victims of this history [of Europe in Africa], and I was still a part of Africa, even though I had been carried out of it nearly 400 years before." [22] Most French-born Arabs have never been to Harlem but "claim kinship" with African-Americans as they draw inspiration from the black freedom struggle. Numerous French-Arab (Beur) intellectuals and activists have noted their indebtedness to African-American liberation thought, [23] and the secular pro-integration Beur movement of the early 1980s organized campaigns and marches modeled on the US civil rights struggle. But in the early 1990s, as the impoverished, ethnically segregated banlieues mushroomed around French cities, the discourse of intégration began to give way to talk of self-imposed exclusion and warnings that the children of immigrants "had gone in a separate direction." The region of Lyons, where 100,000 gathered for the famous march for intégration in 1983, is today cited by commentators as evidence of the failure of assimilation. Lyons, by one account, has become a "ghetto of Arabs," and fallen to Islamist influence, boasting six neighborhood boys in the US military detention center at Guantanamo Bay. [24]

The generation of black and Arab Muslim youth that came of age in crime-ridden banlieues that periodically explode into car-burning riots, and are monitored by a heavy-handed police force, is in no mood for integration. By some estimates, 50 to 60 percent of the French prison population is Muslim. [25] French commentators are increasingly wondering if they have developed a "race problem" like that of the US, with the attendant pathologies of ethnic ghettoes, family breakdown, drugs, violence and, of particular concern these days, Islamism. As in the American ghetto, disintegrating family units have been replaced by new organizations -- gangs, posses and religious associations, particularly Islamic groups, [26] which provide services and patrol the cités, the housing projects where most immigrants live.

The confluence of Islam and urban marginality in France was displayed in a consummately post-colonial moment on October 6, 2001, when France and Algeria met in their first soccer match since the Algerian war of independence. The match was stopped prematurely when thousands of French-born Arab youth, seeing Algeria losing, raided the field chanting "Bin Laden! Bin Laden!" and hurled bottles at two female French ministers. [27] The ill-fated match, coming on the heels of September 11, led to hysterical warnings of an intifada simmering in the heart of France, an Islamic fifth column, the "unassimilability" of certain immigrants and, again, an American-style "race problem." Like American pundits, the French are concerned about whether Islamic and Muslim organizations which have emerged in the banlieues will keep youths out of trouble or radicalize them.An American writing for the Weekly Standard notes, "It's the Farrakhan problem. Mosques do rescue youths from delinquency, idleness and all sorts of other ills. But in so doing, they become power brokers in areas where almost all disputes are resolved by violence and the most tribal kind of woospeh [respect, in a French accent, supposedly]. And it is that mastery of a violent environment -- not the social service record -- that these groups call on when they make demands on the larger society." [28]

The French media has shown a keen interest in the rising conversion to Islam in the US and Europe -- and particularly in the overlap of Islam and race, or more specifically, ethnic awareness, mobilization and self-segregation. An exposé in an April 2003 edition of the magazine L'Express opened with the following statement: "Blacks, whites, Latinos, Asians...every year, 50,000 to 80,000 [Americans] convert to Islam. Internal enemies, members of the 'axis of evil'?" The French government's attempts to control Islamic mobilization in the banlieues through elections for a national Islamic council (aimed, in the words of the interior minister, at taking Islam out of "cellars and garages") backfired when the conservative Union of Islamic Organizations, inspired by Egypt's banned Muslim Brotherhood, won 14 out of 41 seats.

Zacarias Moussaoui, the "twentieth hijacker" awaiting trial in the US, in many ways embodies the story of Islam and racial exclusion in France. Although he did not grow up impoverished in the cités, by all accounts, the French-Moroccan harbored a deep racial rage. In his youth, Moussaoui was often ridiculed because of his dark skin and frizzy hair, and repeatedly called négre (nigger), but it was after the 1991 Gulf war that he became politicized. He began to consider himself "black," joining the "Kid Brothers" -- a university group modeled after the Egyptian Muslim Brotherhood -- and came back from a stint in London deeply hostile toward whites. "He became a racist, a black racist, and he would use the pejorative African word toubab to describe white people," said his brother. [29] Moussaoui raged against Western permissiveness and imperialism in Algeria, Palestine and Chechnya. [30]

Richard Reid, the "shoe bomber," who became radicalized in the same Brixton mosque as Moussaoui, embodies the similarly distressing urban and racial situation in Britain. West Indian and South Asian youth live in benighted "mill and mosque" towns, devastated by capital flight in the late 1980s and 1990s, where the anti-immigrant British National Party is making inroads and race riots erupt frequently. Many of these youth have drifted towards radical Islamist groups. By all accounts, the petty thief and graffiti artist known as ENROL embraced Islam while in Feltham young offenders' institution, to seek solace from racism. His father Robin tried to explain Reid's odyssey to Islam as a result of the difficulty of being of mixed race. "Islam accepts you for who you are," the father told CNN talk show host Larry King. "Even I was a Muslim for a little bit ...because I was fed up with racial discrimination." In an interview with the Guardian, Robin continued: "About ten years ago, I met up with Richard after not seeing him for a few years. He was a little bit downhearted. I suggested to him, 'Why don't you become a Muslim? They treated me all right.'"

The mixing of Islam and racial awareness in Europe is also leading to political mobilization. The Arab European League (AEL), headed by the fiery Lebanese-born Dyab Abou Jahjah, is explicitly modeled on the American civil rights movement, borrowing slogans ("By Any Means Necessary!") and protest techniques from the Black Panthers and the Nation of Islam, and aiming to mobilize Arab and Muslim youth across Europe to lobby European governments to make Arabic one of the official languages of the European Union and to gain state funding for Islamic schools. Based in Brussels, but with chapters opening in France and Holland, the AEL has launched a cross-border Arab pride movement, and organized marches against the US war in Iraq and in solidarity with the Palestinian intifada. Known as the "Arab Malcolm X," Abou Jahjah, who says he finds the ideas of integration "degrading," admits being inspired by the slain African-American civil rights leader, who "was also against assimilation...fought for civil rights and was also inspired by Islam." [31] "We're a civil rights movement, not a club of fundamentalist fanatics who want to blow things up," he told the New York Times on March 1, 2003. "In Europe, the immigrant organizations are Uncle Toms. We want to polarize people, to sharpen the discussion, to unmask the myth that the system is democratic for us." The AEL has also organized Black Panther-style "Arab patrols" to "police the police." Groups of unarmed Arab youths dressed in black follow the police around, carrying video cameras and flyers which read, "Bad cops: the AEL is watching you." Fusing African-American, Islamic and Arab elements in its style and rhetoric, the AEL has become a political force to be reckoned with, even prompting the Belgian government to attempting to ban its patrols on the basis of a 1930s law that proscribes private militias.

"Le Respect" and "Les Pitbulls"

Seul le beat aujourd-hui nous lie et nous unit.

(Today only the beat links and unites us.)

-- Saliha, "Danse le Beat"

Hip-hop has emerged as the idiom for the urban activism of minority youth in Europe. For Muslim youth experiencing the crackdown on immigrants, as well as state withdrawal and welfare cuts, hip-hop offers a chance to express critiques, vent rage, declare solidarity with other marginalized youth (particularly African-Americans) and display cultural pride -- to show, as New York rapper DMX says, "who we be." [32]

If American rap has been criticized for its materialism, nihilism and political nonchalance, French hip-hop offers trenchant critiques of racism, globalization and imperialism. Numerous groups such as Yazid and La Fonky Family deal explicitly with the challenges of being Arab and Muslim in the West, and relations between Islam and the West. In their hit single, "Je Suis Si Triste" ("I'm So Sad"), the Marseilles-based rap crew 3eme Oeil (Third Eye), made up of the Comorian-born Boss One (Mohammed), Jo Popo (Mohammed) and Saïd, offer biting social commentary over an infectious, looping bass line. Decrying hate crimes against veiled Muslim women in France, condemning police brutality and mass incarceration (with a special shout out to Mumia Abu Jamal), the rappers focus their lyrical fire on the West's "stranglehold" (la main-mise) on the East.

In addition to verbal release, hip-hop is also used to combat racism and to promote black-white-Arab relations, as in the Urban Peace Festivals and spoken-word poetry events (les slameurs) organized by SOS Racisme. Hip-hop, interestingly, is also being used to counter Islamist influence in the banlieues. The Beurette leader Fadela Amara, who organized the march "Ni putes ni soumises" ("Neither whores nor submissive") -- a march that has now developed into a women's rights organization affiliated with SOS Racisme -- often invites Muslim female rappers to spread a feminist message. "Ni putes, ni soumises" aims to mobilize youth against ghettoes and for equality, but also to counter the Islamist organizations such as the powerful Union of Islamic Organizations, which delivers services in the cités in exchange for veiling. Amara says discrimination and unemployment make many young men feel "excluded from the French project." These youths, she says, often return to Islamic traditions, opposing gender mixing and women's education, and sometimes assaulting women who do not dress according to their idea of modesty. [33] French Muslim rappers and R&B singers publicly and collectively condemned the September 11 attacks, saying the terrorists were, in the words of Ideal J, a Franco-Haitian convert to Islam, "dishonoring the faith." Al Malik of the New African Poets, a Congolose convert to Islam, noted the importance of rap and Islam to young ghetto dwellers: "Rap has opened a world to us, empowering us young men, and Islam has allowed us to flourish by teaching us respect for 'the other.' [But] the Taliban are instrumentalizing the religion." [34]

Attempts by some French Islamists to boycott American products -- and market products like Mecca Cola -- are failing since banlieusards remain loyal to American streetwear labels like Fubu and Phat Farm, often claiming that such clothing is an anti-American, but pro-black statement. More recently, local banlieue streetwear clothing lines have appeared with names like Bullrot (a combination of pitbull and rottweiler) and Adedi (an acronym for Association de differences), the latter founded by a Moroccan, a Gabonese and a Senegalese to combat racism, extremism and to celebrate difference. [35]

8/19/03 French commentators associate hip-hop with Islam, claiming that rap, like Islam, often brings rage, pathology and dysfunction. The anti-immigrant National Front of Jean Le Pen and its splinter, the National Republican Movement, have historically denounced hip-hop. In March 2001, both far-right parties opposed the use of public funds to finance the first Hip-Hop Dance World Cup in Villepinte stating that "hip-hop is a movement belonging to immigrants of African origin installed in France and which constitutes a call to sedition against our institutions." [36] More recently, however, the National Front has begun to use hip-hop as a way to spread its political message, "win back" French youth and counter Arab and American influence in French culture. The white supremacist rap crew Basic Celto, affiliated with the National Republican Movement, has as its objective to break "immigrants' monopoly" over hip-hop "which diffuses the immigrants' complaints." Basic Celto aims to promote a "national revolutionary" rap with a "Christian identity," and to draw "français d'origine" away from immigrant influence. [37]

But the allure of Islam, and Islam-inflected cultures like hip-hop and rai, to French youth continues to grow, prompting much editorial pondering. Le Monde ran a story on how Ramadan is increasingly observed in French schools, even by non-Muslims, and there have also been accounts of many non-Muslim girls wearing headscarves in solidarity with Muslim schoolgirls sent home for wearing le foulard.Commenting on Le Pen's remark that hip-hop is a dangerous musical genre which originated in the casbahs of Algeria, rapper Boss One (Mohammed) of 3eme Oeil, said: "For Le Pen, everything bad -- rap, crime, AIDS -- comes from Algeria or Islam.... The more Bush and Chirac attack Islam and say it's bad, the more young people will think it's good, and the more the oppressed will go to Islam and radical preachers. Especially here in America. Because life is hard in France, but we have a social safety net." [38]

Commentators have also blamed hip-hop for bringing social ills associated with the American ghetto to France. "[French-Arab youth] intentionally imitate belligerent Afro-American lifestyles, down to 'in-your-face' lyrics for booming rap music," moaned one observer. [39] Some have pointed to the "African-Americanization" of the speech patterns of French youth, noting that their verbal jousting is similar to that of "American rappers from black ghettoes." [40] Indeed, the culture of France's suburban ghettoes is heavily influenced by the trends of the American inner city -- the urban argot, street codes of conduct and "honor system" are strikingly similar. [41] In January 2000, a law was passed creating a police unit to monitor the behavior of pitbulls and rottweilers in housing projects where, as in the US, such dogs had become very popular during the 1990s among urban youth. [42] The slurs used against blacks (négres) and Arabs (in France, bougnoles, in Spain, Moros [43] and in Belgium, makukas, which means white ape) have become commonly used terms of endearment among Muslim youth, as with the term nigger in the US. But clearly, Muslim European youth have not learned misogyny and rage from hip-hop or from African-Americans. The fact that hip-hop is being used by secular urban movements to counter Islamism and racism is an illustration of the growing racial consciousness of Muslim youth in Europe, the deep resonance of the African-American experience and how imagination can help construct a cultural world to resist state oppression and religious fanaticism.
posted by R J Noriega
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Thursday, August 24, 2006,8:36 AM
5 Tragic Stereotypes in the black community
Bakari Akil II

One of the tragic consequences that occurs when a person or group is subjected to ridicule and degradation is that if it occurs long enough, the victims of this treatment begin to acquiesce and in a unfathomable process begin to take on the negative characteristics assigned by the victimizer. As Blacks in the United States and elsewhere throughout the Diaspora, this scenario has been inescapable and has in fact been successful in ways unimaginable to those who first practiced this type of psychological conditioning, known in some circles as "seasonin."

"Seasonin" to the uninitiated was a common practice where Africans who were enslaved were intimidated by torture, physical force and psychological coercion into accepting their new status as enslaved human beings. Thereby, becoming a valuable product capable of carrying out the wishes of their respective enslavers. Think of the conditioning applied to training wild horses or in today's basic training for the military, except that horses and soldiers are treated much more humanely. It is the process of breaking down an individual's physical, emotional, mental and spiritual well-being until they are a totally new creature.

A carryover of this type of "seasonin" is that the fear of possible consequences of rebelling against the authority that exists prevents the victim from assuming their natural or previous state. They begin to exhibit characteristics of that idealized image held by the person(s) who initially provided the conditioning. As a consequence of this type of fear and brutal brainwashing that existed during the Transatlantic slave trade and the era of Black Codes, Jim Crow and present day continued disenfranchisement, the victims (Blacks) of such treatment continue to suffer from the legacy of these sadistic techniques and in some cases are perpetrators who out perform its most devoted non-Black adherents.

The behavior that I speak of now is not physical, it is verbal (stereotypes) and can be observed in many different ways and in fact has become apart of Black culture. It can be heard in humor, average conversations and can be major components of intellectual writings and debate. Whether it is a janitor or C.E.O., student or professor, apathetic citizen or activist, sinner or priest, many Blacks have accepted, processed, internalized and now proselytize the verbiage of shameful stereotypical statements not as fiction, but as fact.

In the age of modern media technology and the proliferation of media messages through many different mediums, these verbal "shots" cannot be escaped and thus are highly detrimental to Black communities' development and advancement.

Now, since these stereotypes are many and varied, this article will limit itself to five statements and others will be discussed in future writings. So, what are these verbal stereotypes and their effects?

Number 1: If you want to hide something from Black people, put it in a book!

This is a very offensive statement and not a thoughtful one at that. A cursory glance at historical data will demonstrate that after prohibitions had been lifted against Black people learning how to read in the US, Black people flocked to those who knew how and pleaded or cajoled them into teaching them how to do so. In fact, without the push by many Black politicians during Reconstruction (1865-1877), public schools as we know it might not exist. Reading has always been a strong tradition amongst Blacks before and after slavery. To state that Black people do not understand the importance of reading and that most do no read, is a fallacy. A better question may be, what types of materials are Black people are reading, which in itself may be an inexhaustible subject.

Number 2: Colored People Time, Better known as C.P.T.

This is another statement that hurts Black communities in numerous ways. There is the perception, held by many, that Black people are not able to start functions on time as well as Blacks as individuals are not punctual, in general. As a matter of consequence, those who constantly rely on this statement as an excuse for this type of behavior and view lateness as a cultural phenomenon assigned to Blacks, indeed provide license for this behavior to occur. People, groups or organizations that do not start things on time is a universal behavior and it is not a characteristic that can be assigned to a group. Instead, the event organizer, individual in charge, guest of honor or "fashionably late" person should instead be judged as not being punctual or professional. The blame should not fall on Black communities as a whole. After all, the people who are in attendance and who are present at that time are not late.

This stereotype also carries over to professional assessments and business determinations, which affect the perceived credibility of Blacks as it relates to economic endeavors.

Number 3: More Black Men in Jail Than In College

The reasons for this statement are obvious. It is to cite the sheer sense of hopelessness that exists for Black males as it relates to society in terms of being involved with prison systems and chances for a higher education. Yet, this statement should be clarified. Yes, there are more Black men in jail than in college. However, that is if you include all age groups. If you choose the age demographic that falls between 18 to 24 years of age then there are more Black men in college of this age range than in jail. This is nothing to be excited about, but it does provide a clearer perspective and lets us know that Black men are on the right track. By highlighting this disparity without clarification, Black men who are in college and not involved the criminal justice system receive no credit.

Number 4: Minority & Minorities

In terms of population in the US, Black people constitute a numerical minority as it relates to the White populus; however that is where the use of this term should cease. Instead of this word being used as an adjective describing Black numerical representation, it is instead used as a noun and the Black person becomes the minority. If the Black person is now the equivalent of that noun then they are in essence the definition of that word and all it implies.

See definition below:

Minority: 1. A group of people or things that is a small part of a much larger group. 2. Group with insufficient votes to win 3. Smaller socially defined group, a group of people, within a society whose members have different ethnic, racial, national, religious, sexual, political, linguistic, or other characteristics from the rest of society. 4. Offensive term; an offensive term for a member of a minority group 5. Non adulthood; the state or period of being younger than the legal age of adulthood.

From analyzing the definition, provided by Microsoft's Encarta College Dictionary, the word minority has many implications, none of them particularly impressive. As can be seen from the definition, many types of groups can be assigned this name, however in US society, only color determines if that is your official designation to be used by media pundits, scholars and your every day average citizen.

What is particularly disturbing is that this term's usage by Black individuals and communities is rampant. To automatically assign oneself to a degrading status is an indictment on one's perception of themselves and their power and role in society as an individual and of Black people as a whole.

I am not a minority and neither is any other person of color. End of discussion!

Number 5: Young people have no direction!

Black youths are often viewed in a negative sense. They are criticized for their style of dress, choice of music, way of expressing themselves and if you really think about it, for their audacity in existing at all. As a surveyor of communications media and its corresponding terrain, criticism of Black youths by their elder generations is continuous and in some cases worse than mainstream criticisms.

Although much of the imagery concerning Black youth is negative and can influence them to behave negatively, creatively a vicious cycle, most of the imagery is indeed false and portrays an unrealistic picture of those who know them intimately as sons, daughters, brothers, sisters, nieces, nephews, cousins, students or friends. In reality, if Black youths have no direction, then what does it imply about the preceding generations' role in preparing them for adulthood? Are older generations providing guidance, are they asserting their leadership or have they folded to the pressures of society and have resorted to complaining backed by inaction?

Instead of quickly indicting youth and assigning them to mediocrity or less, perhaps a greater focus should be placed on finding the success stories that are out there and they are numerous. Black youths are attending high school and college, are politically active, volunteering in their communities, playing sports, creating businesses or working, assuming all of their responsibilities and enriching their communities in ways we would be wise to recognize. Instead of continuously highlighting their immorality, faults and wrongs, perhaps they should be recognized as those who will accept the baton of leadership for the future and allies for a better tomorrow. To do otherwise would be an error that will hold negative consequences for both young and old.

In conclusion, it is possible to be one's own enemy, even if unconsciously. Therefore, a thorough analysis should be applied to our interactions with each other, both verbally or otherwise. Our present day language, vernacular and conversations that we hold with each other may seem harmless, yet it affects the way we treat each other as well as the way that we approach the society in which we exist. As humans we have choices and my choice is to use language for empowerment and not degradation, I hope you choose the same!
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,8:33 AM
Court Rules That NYC Children Are Entitled To No More Than 8th Or 9th Grade Education
Donna Lamb
Global Black News

It's enough to make you sick: in a 4-to-1 decision, a panel of judges from the Appellate Division of the New York State Supreme Court ruled that as far as the State Constitution is concerned, the guarantee of "a sound basic education" requires that public schools provide children with nothing more than "a minimally adequate educational opportunity"--which they reckon falls somewhere between the 8th and 9th grade!

This decision overturned last year's landmark ruling by Supreme Court Justice Leland DeGrasse, who--after carefully analyzing the evidence put before him during a 7-month trial--had stated that Albany's formula for funding public schools had gypped New York City students for decades, and had violated their constitutional right to a sound education. He ordered the state to vastly increase funding to NYC schools forthwith.

But Gov. Pataki--who's spent more than $11 million fighting the lawsuit--didn't like that decision and appealed it. And what do you know--though former Gov. Mario Cuomo named half of the 14 appellate judges, none of them ended up on this case. Instead, 4 of the 5 appellate judges appointed by Pataki heard the case. And you can be sure: he likes their ruling much better.


About ten years ago, Campaign for Fiscal Equity, Inc. (CFE), a coalition of advocacy groups, filed a lawsuit against New York State on behalf of New York City schoolchildren. It charged that the State unfairly shortchanged the City's schools.

One of the main shakers and movers in the case was the then-President of Community Board 6--now City Councilman--Robert Jackson. He became the lead plaintiff in the suit.

In 1995, CFE won a major victory when New York's highest court, the Court of Appeals, decided that the State Constitution requires that the state offer all children the opportunity for a "sound basic education." They also stated that the exact meaning of this standard could only be evaluated and resolved after development of a factual record.

On January 10, 2001, Justice Leland DeGrasse, the trial court judge, issued a detailed decision carefully evaluating the evidence presented during the trial and found that the current state school funding system was unconstitutional. All fair-minded people who really care about the predominantly Brown and Black children in the New York School System were jubilant.


But then, on June 25, 2002, the Appellate Division, First Department of the State Supreme Court, reversed Justice DeGrasse's decision. The majority decision, written by Justice Alfred Lerner and joined by Justices John Buckley and Joseph Sullivan, concluded that the plaintiffs had not proven that the education provided by the New York City schools fell below the minimal level of "a sound basic education" or that the state funding system was the cause of insufficiencies in the City's schools.

Another Justice, Peter Tom, wrote a separate opinion concurring with this one, but expressing concern that there is a growing educational crisis. His opinion left the door open to a future finding that the state funding system violates the Constitution.

Only Justice David Saxe wrote a strong dissenting opinion castigating the court majority for a decision which logically means that the state has no obligation to provide a high school education. He also emphasized that the current system fails to provide the resources that at?risk children need in order to have an opportunity to succeed.


In his decision, Justice DeGrasse followed the Court of Appeals' directive to fill in the contours of the definition of a "sound basic education." He interpreted the statement that students should be able to "function productively" as requiring that schools offer students the chance to obtain employment that would provide a living wage. He found, therefore, that schools should be required to offer students the opportunity to learn the type of math, science, and computer skills that are often required in today's society for competitive employment. He took the Court of Appeals' directive regarding civic participation as requiring that students have skills that would permit them to understand the kind of complex issues they might be asked to evaluate as voters or jurors, such as tax policy, global warming, or DNA evidence.

In his decision, Justice Lerner agreed with Justice DeGrasse that "sound basic education" consists of the skills necessary to obtain employment and to competently discharge one's civic responsibilities. However, he interpreted these things as requiring a much lower level of skills. He believes that the evidence presented in the trial, "established that the skills required to enable a person to obtain employment, vote, and serve on a jury, are imparted between grades 8 and 9." He does admit that so little education might only enable a person to acquire low-paying service jobs, but, he states, "Society needs workers at all levels of jobs, the majority of which may very well be low-level."


"Let's get ready to rumble," said Councilman Robert Jackson, when he heard the Appellate Court decision. "We are going to fight tooth and nail to ensure that our children receive a quality education."

He went on to say: "I am shocked and angered that, in the year 2002, these judges can say that an 8th grade education is adequate. How will our children compete in the global economy? How will they have a decent life and keep their own families out of poverty if we educate them only enough to hold jobs in factories that don't exist anymore?! I challenge Gov. Pataki and the Appellate Division to send their children or grandchildren to school only until the 8th grade and then encourage them to take minimum wage jobs. We all know that this will never happen. Yet they would condemn our children and our families to this fate!"

Jackson laid bare Gov. Pataki's shenanigans as he said, "In his comments released after the Court rendered its decision, the Governor tried to distract us from the truth: he claims to have given NYC schools $2 billion over the eight years he has been in office, as if to say that money is not really the problem. But, if you do the math, in a school system serving 1.1 million students, you find that this amounts to only $227.00 per student per year. This is chump change!

"The Independent Budget Office," Jackson continued, "has done an analysis of what it would cost to bring education allotments in NYC up to par with what they are in the highest performing districts in the state. That amount, adjusted for local differences in costs, is $3.3 billion per year!"

In summing it all up, Jackson said, "This decision is a disgrace by anyone's standards and we are preparing for an appeal. We will continue to struggle on behalf of the children and families of New York City and all of New York State--for good schools, for a sound basic education. We are confident that the Court of Appeals will recognize the inherent value of our children and overturn the decision of the Appellate Division."
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Thursday, August 17, 2006,12:06 PM
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Tuesday, August 08, 2006,8:57 AM
The Roots' New Album: Heavy But No Debbie Downer

After nearly fourteen years of making challenging, socially conscious hip-hop, should the Roots have to get defensive about their indie cred? Well, maybe, since the Philly crew signed their upcoming ninth album Game Theory (due August 29th) to Jay-Z's radio-friendly Def Jam label.

"We definitely knew going in that people were going to read this merger as a sign of us really about to cash in," says band leader ?uestlove. "Because of our past association with [Jay-Z], people could have easily thought, 'OK, these guys are about to be all on this yacht, pouring champagne on people.' "

But there's no Dom or Diddy on Game Theory. First off, the lead single, "Don't Feel Right," is available for free download on the band's MySpace page -- how's that for not selling out? Second, the album is dark. The lyrics touch on topics ranging from the war in Iraq to violence in music. On the single, Black Thought rhymes over the Roots' signature lush instrumentation about "the unseen hand that holds trouble" and how "the struggle ain't right in your face, it's more subtle." On "False Media," he rhymes about the environment and the "war on terror": "We gon' pimp the shit out of nature/. . . I'm gonna make you feel a little bit safer/Because it ain't over/See that's how we get your fear to control you."

"In this day and age, I'm kind of noticing that nobody in urban music really has the balls to just stop partying for one second," says ?uestlove. "I mean, partying is good and whatnot, and it's cool to get down, but I really think that 2006 called for a very serious record. This ain't the Debbie Downer record, or the political, save-the-world record, but this is definitely not the MC-based, battle-themed album that the Roots have been known for. This is our most serious record to date."

The album's also got its share of dance-floor numbers. The frantic "Here I Come" -- featuring Dice Raw, who shone on the Roots' sophomore album, Do You Want More?!!!??! -- has a retro feel, like a sweaty, back-bending B-boy dance. And "Clocks With No Arms" is a cool jazz/hip-hop mash-up reminiscent of their earlier work with lyrics that reflect their heavier mind-set. "The block hot with the law and ain't too many choices," spits Black Thought. "What I do is for y'all 'cause ain't too many voices left."

"The hip-hop that's allowed to reach the mainstream is only one certain type of hip-hop, and there's the danger of the minstrelsy of it," says ?uestlove. "The more one-dimensional, character-driven hip-hop is what seems to be driving the big bucks -- because people want a show. Like, Eminem's the crazy white-trash man who hates his mommy; 50 Cent got shot nine times; Jay-Z is a bad drug dealer gone good. And the problem is: Who is Black Thought? Chuck D once said, 'Hip-hop is black America's CNN' -- but now it's turned into black America's UPN . . . I'm not going to be competing with Yung Joc or 'Lean Wit It, Rock Wit It.' "

Fittingly, then, Game Theory closes with the eight-minute "Can't Stop," a tribute to J Dilla (a.k.a. Jay Dee), "the last of the hip-hop-loving MCs." In a shock to the hip-hop community, the seminal Detroit producer and MC, who achieved cult status working with A Tribe Called Quest, Common and D'Angelo, died this February from lupus. Towards the end of his life, while he quietly battled his illness, J Dilla completed two solo albums from his hospital bed.

"He was definitely one of my music heroes," ?uestlove says of J Dilla. "The song is an homage to those who sacrificed their lives for hip-hop."
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,8:10 AM
The Next Movement
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Tuesday, August 01, 2006,10:13 AM
Hip-Hop Museum In Bronx
The New York City Council has allocated $1.5 million in funding to construct a Hip-Hop museum in the Bronx, New York.
Spearheaded by City Council member Larry Seabrook, the museum will trace Hip-Hop from its origins in the 1970's and be used as a forum to educate future generations about Hip-Hop culture.

"We're not talking about gangster rap," Councilman Seabrook told The New York Sun. "We're talking about Hip-Hop."

The new museum is part of a community center and housing development project that is being built by the nonprofit Northeast Bronx Redevelopment Corporation.

The project is reportedly to consist of several floors of low-to moderate-income housing with a gymnasium, a small theater, a recording studio, and the museum.

The Bronx, the fourth most populous of New York City's five boroughs, has long been considered as the birthplace of Hip-Hop. The museum will be the first dedicated to the documentation of Hip-Hop culture.

In February 2006, the Smithsonian Institute's National Museum of American History announced the launching of "Hip-Hop Won't Stop," the museum's first-ever on going and evolving exhibit on Hip-Hop culture.

The exhibit showcases a permanent collection of artifacts donated by various artists that including vinyl records, handwritten lyrics, boom boxes, clothing, microphones and other artifacts.
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,10:09 AM
Dick Cheney's Song of America (Part 2)
The DPG was leaked to the New York Times in March 1992. Critics on both the left and the right attacked it immediately. Then-presidential candidate Pat Buchanan portrayed it as giving a “blank check” to America's allies by suggesting the United States would “go to war to defend their interests.” Bill Clinton's deputy campaign manager, George Stephanopoulos, characterized it as an attempt by Pentagon officials to “find an excuse for big defense budgets instead of downsizing.” Delaware Senator Joseph Biden criticized the Plan's vision of a “Pax Americana, a global security system where threats to stability are suppressed or destroyed by U.S. military power.” Even those who found the document's stated goals commendable feared that its chauvinistic tone could alienate many allies. Cheney responded by attempting to distance himself from the Plan. The Pentagon's spokesman dismissed the leaked document as a “low-level draft” and claimed that Cheney had not seen it. Yet a fifteen-page section opened by proclaiming that it constituted “definitive guidance from the Secretary of Defense.”

Powell took a more forthright approach to dealing with the flap: he publicly embraced the DPG's core concept. In a TV interview, he said he believed it was “just fine” that the United States reign as the world's dominant military power. “I don't think we should apologize for that,” he said. Despite bad reviews in the foreign press, Powell insisted that America's European allies were “not afraid” of U.S. military might because it was “power that could be trusted” and “will not be misused.”

Mindful that the draft DPG's overt expression of U.S. dominance might not fly, Powell in the same interview also trotted out a new rationale for the original Base Force plan. He argued that in a post-Soviet world, filled with new dangers, the United States needed the ability to fight on more than one front at a time. “One of the most destabilizing things we could do,” he said, “is to cut our forces so much that if we're tied up in one area of the world . . . and we are not seen to have the ability to influence another area of the world, we might invite just the sort of crisis we're trying to deter.” This two-war strategy provided a possible answer to Nunn's “threat blank.” One unknown enemy wasn't enough to justify lavish defense budgets, but two unknown enemies might do the trick.

Within a few weeks the Pentagon had come up with a more comprehensive response to the DPG furor. A revised version was leaked to the press that was significantly less strident in tone, though only slightly less strident in fact. While calling for the United States to prevent “any hostile power from dominating a region critical to our interests,” the new draft stressed that America would act in concert with its allies—when possible. It also suggested the United Nations might take an expanded role in future political, economic, and security matters, a concept conspicuously absent from the original draft.

The controversy died down, and, with a presidential campaign under way, the Pentagon did nothing to stir it up again. Following Bush's defeat, however, the Plan reemerged. In January 1993, in his very last days in office, Cheney released a final version. The newly titled Defense Strategy for the 1990s retained the soft touch of the revised draft DPG as well as its darker themes. The goal remained to preclude “hostile competitors from challenging our critical interests” and preventing the rise of a new superpower. Although it expressed a “preference” for collective responses in meeting such challenges, it made clear that the United States would play the lead role in any alliance. Moreover, it noted that collective action would “not always be timely.” Therefore, the United States needed to retain the ability to “act independently, if necessary.” To do so would require that the United States maintain its massive military superiority. Others were not encouraged to follow suit. It was kinder, gentler dominance, but it was dominance all the same. And it was this thesis that Cheney and company nailed to the door on their way out.

* * *

The new administration tacitly rejected the heavy-handed, unilateral approach to U.S. primacy favored by Powell, Cheney, and Wolfowitz. Taking office in the relative calm of the early post-Cold War era, Clinton sought to maximize America's existing position of strength and promote its interests through economic diplomacy, multilateral institutions (dominated by the United States), greater international free trade, and the development of allied coalitions, including American-led collective military action. American policy, in short, shifted from global dominance to globalism.

Clinton also failed to prosecute military campaigns with sufficient vigor to satisfy the defense strategists of the previous administration. Wolfowitz found Clinton's Iraq policy especially infuriating. During the Gulf War, Wolfowitz harshly criticized the decision—endorsed by Powell and Cheney—to end the war once the U.N. mandate of driving Saddam's forces from Kuwait had been fulfilled, leaving the Iraqi dictator in office. He called on the Clinton Administration to finish the job by arming Iraqi opposition forces and sending U.S. ground troops to defend a base of operation for them in the southern region of the country. In a 1996 editorial, Wolfowitz raised the prospect of launching a preemptive attack against Iraq. “Should we sit idly by,” he wrote, “with our passive containment policy and our inept covert operations, and wait until a tyrant possessing large quantities of weapons of mass destruction and sophisticated delivery systems strikes out at us?” Wolfowitz suggested it was “necessary” to “go beyond the containment strategy.”

Wolfowitz's objections to Clinton's military tactics were not limited to Iraq. Wolfowitz had endorsed President Bush's decision in late 1992 to intervene in Somalia on a limited humanitarian basis. Clinton later expanded the mission into a broader peacekeeping effort, a move that ended in disaster. With perfect twenty-twenty hindsight, Wolfowitz decried Clinton's decision to send U.S. troops into combat “where there is no significant U.S. national interest.” He took a similar stance on Clinton's ill-fated democracy-building effort in Haiti, chastising the president for engaging “American military prestige” on an issue “of little or no importance” to U.S. interests. Bosnia presented a more complicated mix of posturing and ideologies. While running for president, Clinton had scolded the Bush Administration for failing to take action to stem the flow of blood in the Balkans. Once in office, however, and chastened by their early misadventures in Somalia and Haiti, Clinton and his advisers struggled to articulate a coherent Bosnia policy. Wolfowitz complained in 1994 of the administration's failure to “develop an effective course of action.” He personally advocated arming the Bosnian Muslims in their fight against the Serbs. Powell, on the other hand, publicly cautioned against intervention. In 1995 a U.S.-led NATO bombing campaign, combined with a Croat-Muslim ground offensive, forced the Serbs into negotiations, leading to the Dayton Peace Accords. In 1999, as Clinton rounded up support for joint U.S.-NATO action in Kosovo, Wolfowitz hectored the president for failing to act quickly enough.

* * *

After eight years of what Cheney et al. regarded as wrongheaded military adventures and pinprick retaliatory strikes, the Clinton Administration—mercifully, in their view—came to an end. With the ascension of George W. Bush to the presidency, the authors of the Plan returned to government, ready to pick up where they had left off. Cheney, of course, became vice president, Powell became secretary of state, and Wolfowitz moved into the number-two slot at the Pentagon, as Donald Rumsfeld's deputy. Other contributors also returned: Two prominent members of the Wolfowitz team that crafted the original DPG took up posts on Cheney's staff. I. Lewis “Scooter” Libby, who served as Wolfowitz's deputy during Bush I, became the vice president's chief of staff and national security adviser. And Eric Edelman, an assistant deputy undersecretary of defense in the first Bush Administration, became a top foreign policy adviser to Cheney.[2]

Cheney and company had not changed their minds during the Clinton interlude about the correct course for U.S. policy, but they did not initially appear bent on resurrecting the Plan. Rather than present a unified vision of foreign policy to the world, in the early going the administration focused on promoting a series of seemingly unrelated initiatives. Notable among these were missile defense and space-based weaponry, long-standing conservative causes. In addition, a distinct tone of unilateralism emerged as the new administration announced its intent to abandon the Anti-Ballistic Missile Treaty with Russia in order to pursue missile defense; its opposition to U.S. ratification of an international nuclear-test-ban pact; and its refusal to become a party to an International Criminal Court. It also raised the prospect of ending the self-imposed U.S. moratorium on nuclear testing initiated by the President's father during the 1992 presidential campaign. Moreover, the administration adopted a much tougher diplomatic posture, as evidenced, most notably, by a distinct hardening of relations with both China and North Korea. While none of this was inconsistent with the concept of U.S. dominance, these early actions did not, at the time, seem to add up to a coherent strategy.

It was only after September 11 that the Plan emerged in full. Within days of the attacks, Wolfowitz and Libby began calling for unilateral military action against Iraq, on the shaky premise that Osama bin Laden's Al Qaeda network could not have pulled off the assaults without Saddam Hussein's assistance. At the time, Bush rejected such appeals, but Wolfowitz kept pushing and the President soon came around. In his State of the Union address in January, Bush labeled Iraq, Iran, and North Korea an “axis of evil,” and warned that he would “not wait on events” to prevent them from using weapons of mass destruction against the United States. He reiterated his commitment to preemption in his West Point speech in June. “If we wait for threats to fully materialize we will have waited too long,” he said. “We must take the battle to the enemy, disrupt his plans and confront the worst threats before they emerge.” Although it was less noted, Bush in that same speech also reintroduced the Plan's central theme. He declared that the United States would prevent the emergence of a rival power by maintaining “military strengths beyond challenge.” With that, the President effectively adopted a strategy his father's administration had developed ten years earlier to ensure that the United States would remain the world's preeminent power. While the headlines screamed “preemption,” no one noticed the declaration of the dominance strategy.

* * *

In case there was any doubt about the administration's intentions, the Pentagon's new DPG lays them out. Signed by Wolfowitz's new boss, Donald Rumsfeld, in May and leaked to the Los Angeles Times in July, it contains all the key elements of the original Plan and adds several complementary features. The preemptive strikes envisioned in the original draft DPG are now “unwarned attacks.” The old Powell-Cheney notion of military “forward presence” is now “forward deterrence.” The use of overwhelming force to defeat an enemy called for in the Powell Doctrine is now labeled an “effects based” approach.

Some of the names have stayed the same. Missile defense is back, stronger than ever, and the call goes up again for a shift from a “threat based” structure to a “capabilities based” approach. The new DPG also emphasizes the need to replace the so-called Cold War strategy of preparing to fight two major conflicts simultaneously with what the Los Angeles Times refers to as “a more complex approach aimed at dominating air and space on several fronts.” This, despite the fact that Powell had originally conceived—and the first Bush Administration had adopted—the two-war strategy as a means of filling the “threat blank” left by the end of the Cold War.

Rumsfeld's version adds a few new ideas, most impressively the concept of preemptive strikes with nuclear weapons. These would be earth-penetrating nuclear weapons used for attacking “hardened and deeply buried targets,” such as command-and-control bunkers, missile silos, and heavily fortified underground facilities used to build and store weapons of mass destruction. The concept emerged earlier this year when the administration's Nuclear Posture Review leaked out. At the time, arms-control experts warned that adopting the NPR's recommendations would undercut existing arms-control treaties, do serious harm to nonproliferation efforts, set off new rounds of testing, and dramatically increase the prospects of nuclear weapons being used in combat. Despite these concerns, the administration appears intent on developing the weapons. In a final flourish, the DPG also directs the military to develop cyber-, laser-, and electronic-warfare capabilities to ensure U.S. dominion over the heavens.

Rumsfeld spelled out these strategies in Foreign Affairs earlier this year, and it is there that he articulated the remaining elements of the Plan: unilateralism and global dominance. Like the revised DPG of 1992, Rumsfeld feigns interest in collective action but ultimately rejects it as impractical. “Wars can benefit from coalitions,” he writes, “but they should not be fought by committee.” And coalitions, he adds, “must not determine the mission.” The implication is the United States will determine the missions and lead the fights. Finally, Rumsfeld expresses the key concept of the Plan: preventing the emergence of rival powers. Like the original draft DPG of 1992, he states that America's goal is to develop and maintain the military strength necessary to “dissuade” rivals or adversaries from “competing.” With no challengers, and a proposed defense budget of $379 billion for next year, the United States would reign over all it surveys.

* * *

Reaction to the latest edition of the Plan has, thus far, focused on preemption. Commentators parrot the administration's line, portraying the concept of preemptory strikes as a “new” strategy aimed at combating terrorism. In an op-ed piece for the Washington Post following Bush's West Point address, former Clinton adviser William Galston described preemption as part of a “brand-new security doctrine,” and warned of possible negative diplomatic consequences. Others found the concept more appealing. Loren Thompson of the conservative Lexington Institute hailed the “Bush Doctrine” as “a necessary response to the new dangers that America faces” and declared it “the biggest shift in strategic thinking in two generations.” Wall Street Journal editor Robert Bartley echoed that sentiment, writing that “no talk of this ilk has been heard from American leaders since John Foster Dulles talked of rolling back the Iron Curtain.”

Preemption, of course, is just part of the Plan, and the Plan is hardly new. It is a warmed-over version of the strategy Cheney and his coauthors rolled out in 1992 as the answer to the end of the Cold War. Then the goal was global dominance, and it met with bad reviews. Now it is the answer to terrorism. The emphasis is on preemption, and the reviews are generally enthusiastic. Through all of this, the dominance motif remains, though largely undetected.

This country once rejected “unwarned” attacks such as Pearl Harbor as barbarous and unworthy of a civilized nation. Today many cheer the prospect of conducting sneak attacks—potentially with nuclear weapons—on piddling powers run by tin-pot despots.

We also once denounced those who tried to rule the world. Our primary objection (at least officially) to the Soviet Union was its quest for global domination. Through the successful employment of the tools of containment, deterrence, collective security, and diplomacy—the very methods we now reject—we rid ourselves and the world of the Evil Empire. Having done so, we now pursue the very thing for which we opposed it. And now that the Soviet Union is gone, there appears to be no one left to stop us.

Perhaps, however, there is. The Bush Administration and its loyal opposition seem not to grasp that the quests for dominance generate backlash. Those threatened with preemption may themselves launch preemptory strikes. And even those who are successfully “preempted” or dominated may object and find means to strike back. Pursuing such strategies may, paradoxically, result in greater factionalism and rivalry, precisely the things we seek to end.

Not all Americans share Colin Powell's desire to be “the bully on the block.” In fact, some believe that by following a different path the United States has an opportunity to establish a more lasting security environment. As Dartmouth professors Stephen Brooks and William Wohlforth wrote recently in Foreign Affairs, “Unipolarity makes it possible to be the global bully—but it also offers the United States the luxury of being able to look beyond its immediate needs to its own, and the world's, long-term interests. . . . Magnanimity and restraint in the face of temptation are tenets of successful statecraft that have proved their worth.” Perhaps, in short, we can achieve our desired ends by means other than global domination.

About the Author
David Armstrong is an investigative reporter for the National Security News Service.

1. During the elder Bush's tenure as CIA director in the 1970s, Wolfowitz had served on a panel of defense experts known as “Team B,” which concluded that U.S. intelligence was vastly underestimating the scale of the Soviet threat—an opinion he had yet to revise in 1990. [Back]

2. Zalmay Khalilzad, who served as assistant deputy undersecretary of defense during the first Bush Administration, wrote a book during the Clinton interval expressing the core concepts of the original DPG. Khalilzad argued that the United States should “preclude the rise of another global rival for the indefinite future,” and “be willing to use force if necessary for the purpose.” Khalilzad joined the inner circle of the current administration as a special assistant to the president and today serves as a U.S. special envoy to Afghanistan. [Back]
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